One of the things I love about Steve Rogers is that he goes against the archetype of good/optimistic characters only being – and deriving their goodness/optimism from being – innocent and naïve.
Steve isn’t naïve. Steve grew up in hardship. In the comics, he was abused and watched his mother be beaten by his father. In the movies, he had no father, but was violently bullied and dirt poor. Steve grew up in the school of hard knocks, in the middle of the Depression; any naïveté about how cruel the world could be got beaten out of him as a child.
And then, Steve signed up to go to war. He fought on the front lines of WWII, and witnessed untold violence. Some comics and cartoons show him helping to free concentration camps. And he fought – Steve never had the luxury, as Cap, of having a “no killing” rule like Superman. He’s never relished taking lives, but he’s done it when necessary. Steve is no unsullied innocent.
From all this hardship, all this violence, Steve could easily be a character who has a grim, cynical outlook on the world. He’s seen and experienced the absolute worst of humanity; he’s borne witness to genocide, after all, and horrors of war. And usually, the characters who have endured brutality are the ones who are the bitter anti-heroes, or dark and angsty heroes – the Batmans and Daredevils, the Wolverines and Punishers. Meanwhile the hopeful, optimistic heroes are often the ones who have had warm and loving homes, and who haven’t been broken yet by the world.
But Steve, despite everything, stays hopeful. Steve believes in the best of humanity, in spite of having seen it at its worst. Steve believes in the importance of Good, because he has looked deep into the heart of Evil.
Steve has suffered all his life, but he refuses to let the world break him.
That refusal, that strength of outlook and principle, and that subversion of archetype with a rejection of the increasingly popular grimdark hero narrative, are all reasons I love Captain America, and find Steve Rogers a truly interesting and inspiring hero.
The only good things to come out of it was the USAvengers tie in issues and the lesbian Swordswoman, who will hopefully get to appear in a series not written by Spencer so she can get some good writing and be in a story that’s actually enjoyable
Fandom Loves Puerto Rico is a great cause, auctioning off loads of different fandom-related items (fic, art, beta-reading, and plenty more) for donations to help Puerto Rico. I actually didn’t sign up to write any fic because knowing me that wouldn’t work real well, but I’m offering editing/beta-reading services, as well as pretty much everything that’s available in my Etsy shop, like all these examples. Anything bought through the auction (or Buy It Now) will also go through my Etsy shop, except you’ll be donating to Puerto Rico instead of paying me. (As a side note, the majority of proceeds from any of the Pride stuff sold normally through my shop goes toward the Trevor Project and similar organizations.)
I think about these pages a lot, every time I read meta about Steve not being as… expressive or emotive in the MCU as other characters.
Steve is an artist. And a bookworm. Who loves fantasy most of all. This is canon, none of these things are indicators of someone who is stoic and taciturn by nature. So what we can deduce from this is that Steve learned to keep things close to the chest through nurture not nature.
Why?
Three factors, all summed up above.
1) Steve was heavily bullied as a child. Picked on, beat up, tormented. There have been depictions of this in almost every single Cap run I’ve read, and I’ve read a lot of Cap. I could show you panels that would make you cry, where a child!Steve is laid out on the pavement bleeding because his childhood bullies got a hold of him.
This is not solely indigenous to 616!Steve, as in the MCU!Steve also indicated to Peggy that he was beat up a lot as a child.
Someone who is targeted by that kind of physical and mental abuse learns to keep it all in, so as not to show any weakness less his tormentors use that against him.
2) Steve lived through the Great Depression during his most informative years. The small, sickly child of a single mother. The dialogue here breaks my heart:
“And with every broken bone or black eye I knew I was letting my mother down. Sure I was scared of the bullies waiting for me but my REAL fear was that I’d get home and she wouldn’t be there. I knew it was irrational, she was a GREAT mother, but that’s just how life felt back then, like it could all fall apart at any moment.”
Loss. Steve’s greatest fear and the heartbreaking thing is that it’s he’s had to live through again and again and again. And it all started because he was raised during a time when the bulk of America had lost everything and were starving in the streets. If we look at Maslow’s Hierarchy of Needs, the most basic necessities for survival weren’t being met for a very large population of people: food, water, safety.
Steve’s words here are actually very accurate. I have a 96-year-old grandmother who can personally collaborate the sentiment expressed here. In fact she told me that it was very common for children to be sent away to relatives who could feed them, for families to be split up because the parents could no longer afford to provide basic necessities. And in other families children were actually put to work in factories. In fact, Steve worked. As early as six he was selling newspapers when he wasn’t in school (Remender’s run, Cap vol. 7).
3) War. The most destructive war in recent history no less.
The highest suicide rate in the country goes to veterans. This is fact.
In 2014, an average of 20 Veterans died from suicide each day. 6 of the 20 were
users of VA services.
Any war related issues such as PTSD and Survivals Guilt would have been even worse during WW2 because no one recognized PTSD as being valid. In fact General Patton once slapped soldiers who were bed ridden due to exhibiting PTSD symptoms. This is also fact.
So, as a soldier, your choices were try your hardest to keep a stiff upper lip or exhibit your symptoms and be considered a coward and a traitor.
And yet despite all of this Steve said this…
“And I think THAT was what shaped me. How the whole world felt unfair… unjust. That’s why I tried over and over again to enlist before we were even in the war. Because I wanted to punch Hitler in the jaw.”
This is it, this is the essence of Steve Rogers.
The underdog. The defender of the maligned and the targeted.
Steve Rogers took his pain and rather than letting it make him bitter like others would in his circumstances, he became determined to help others.
….I just think that maybe we, as a fandom, should not assume that the silent type aren’t grappling with unimaginable pain just because they’re silent. I think we should recognize that perhaps the silence, itself, is also a symptom.
I love this. I was thinking about this same idea this morning, in regards to MCU Steve and Chris Evans’ wonderfully subtle performance. We see Steve emote when he’s angry, but when he’s sad or shocked or grieving, he is more withdrawn, sometimes almost verging on catatonic. He goes still and blank and quiet when he’s being cuffed after recognizing the Winter Soldier; after he sees the footage of Howard’s death; when Rumlow catches him unaware with information about Bucky; when he’s in the plane in AOU after his vision of the life he can never have back. Steve refuses to ever bleed on anyone else, and because his pain doesn’t demand a spotlight, it’s over overlooked just how much of it there is.
I have realized that Steve Rogers would have gone into the ice after The Hobbit was printed but before The Lord of the Rings was released and now all I want is him finding out about The Lord of the Rings and being so excited because “Wait, you mean there’s a sequel?!”
please please please just imagine the following:
Steve reads The Hobbit in the 30s/40s. Maybe Bucky saves up and buys it for him one year for his birthday. Maybe he picks up a copy while on the USO tour. Maybe Peggy lends it to him.
He reads it. He loves it. He goes into the ice.
He wakes up and rereading it crosses his mind but “It’s an old book now, no one’s probably heard of it.” and there are so many new things to read that it gets pushed aside.
(Or maybe he knows that they’re making The Hobbit into a movie and he’s so happy about that but he doesn’t really read into it, you know? It’s going to be a movie, that’s good enough for him. He doesn’t watch interviews, he doesn’t read articles- he hears about The Lord of the Rings, of course, but no one ever makes the connection for him.)
(“I’ll reread The Hobbit before the movies come out,” but there’s still so many new things that it still gets pushed aside.)
Someone (Nat or Sam, in a hotel somewhere while they’re looking for Bucky, or Bruce in the Tower, or whoever) flips through channels and puts on The Lord of the Rings movies and Steve is only half paying attention. Maybe he’s sketching. Maybe he’s reading reports. Who knows.
Then he hears “hobbits” and it catches his attention because wait, is that…? But this isn’t The Hobbit, he doesn’t know this story, but he’s invested now and he’s watching a little bit more.
Gandalf appears, and Bilbo, and wait he definitely knows these characters what’s going on, what’s happening here, what story is this?
“Well, yeah, it’s The Lord of the Rings, it’s the sequel to The Hobbit-”
“He wrote a sequel? There’s a sequel!?”
“…there’s technically a prequel too, mostly put together by his son, but-”
“HOW MANY MORE BOOKS ARE THERE?”
“…three in The Lord of the Rings, plus the Silmarillion, and a lot of history/meta stuff too…”
“I WANT TO READ THEM ALL.”
Steve does read them all.
(There’s a moment of loud indignation when he reads about the riddle game because “It didn’t happen like that!” He has to have the changes explained, and then it’s the funniest thing in the world to him.)
Please just imagine Steve Rogers in his office at the compound with a tiny book shelf that’s just full of copies of all of Tolkien’s works. And tucked in a corner is a first-edition copy of The Hobbit that Tony bought for him, and Steve knows that it has to be ridiculously expensive but he dosen’t care, because it’s almost exactly like the copy he used to have. And even though he knows he probably shouldn’t handle it too much, sometimes he picks it up and rereads the riddle game scene. (The original is still better, in his opinion.)
But please also imagine Steve reading, specifically, The Return of the King.
Steve reading about Frodo and Sam nearly dying on the slopes of Mount Doom, saving the world by the skin of their teeth, and it’s exactly the epic fantasy ending he was expecting. Aragorn marries Arwen, and the hobbits are heroes, and everything is right in the world.
And then they go back to the Shire.
They go through literal war, and they try to go home… but it’s not home. It’s been ravaged by the war, by technology, and “in your heart you begin to understand: there is no going back.”
And Frodo sails. Frodo sails, and even though you know that Sam still has Merry and Pippin, look at what he’s lost. He lost Frodo, he lost Gandalf, he lost the innocence of the Shire. And Sam is left behind, left to return home to his wife and family alone, and its an awful, terrible moment, that moment when you’re confronted with the reality that “We set out to save the Shire, Sam. And it has been saved, but not for me,” that winning the war can mean losing in other ways, that sometimes you don’t get your happy ending-
But that’s not the ending you’re left with. Because the last line of the book is “Well, I’m back.” and Steve, sitting in his apartment, surrounding by a future that never expected to see, that he understands and embraces but still sometimes doesn’t feel like his own world- Steve sits back, and sets the book down, and innately understands Sam’s feeling of pushing forward and finding happiness even in the light of a great personal loss. Steve has literally lived through his own Scouring of the Shire, has tried to go home only to realize that there is no going back, Steve would have every reason in the world to be Frodo and to decide to step back and find his own peace because damnit, he deserves that.
But Steve isn’t Frodo, Steve is Sam, Steve is the stouthearted and steadfast and he keeps moving forward, because he gets home and doesn’t just see the broken edges of the world- he also sees the pieces that got put back together. He sees everything he survived, and everything that the people around him survived, and when he finishes reading that book and sets it down he looks around his apartment and realizes for the first time that he’s finally managed to come home again.
Headcanon accepted
Guys, this is pretty much canon!! There’s an old comics panel (I’m pretty sure @jayleeg has posted it) that shows Steve reading Lord of the Rings!!! And saying he loves Tolkien.
Yup, that was Avengers #46 by
Roy Thomas…
And to add more food to the fodder, from Cap #255 by Roger Stern…
Steve Rogers is a big ol’ geek, just like the rest of us. 😉
Tony introduces Steve to the 21st century and Steve’s super impressed by the moon landing.
Fun fact about Steve, during the House of M event, when Wanda changed the fabric of reality to give the the X-Men and the Avengers their hearts desires… Steve retired from being Captain America after WW2 and became an astronaut. That was his hearts desire.
I'm a defeatist but I don't have to be 